Selected Bibliography

General Books
BATTCOCK Gregory, Nickas Robert, The Art of Performance, a Critical Anthology, New York (United States), 1984.
GOLDBERG Roselee, Performance Art from Futurism to the Present, London (Great Britain), 1987.
GUEST T., CELANT Germano, Books by Artists, Toronto (Canada),1981.

Exhibition Catalogues 
Abramovic / Ulay, Three performances, Galerie Krinzinger, Innsbruck (Austria)/ Galerie H-Humanic, Graz (Austria), 1978.
Abramovic / Ulay, 30 November / 30 November, Harlekin Art, Wiesbaden (Germany), 1979.
Abramovic / Ulay, Two performances and Detour, The Experimental Art Foundation, Adelaide (Australia), 1979.
Abramovic / Ulay, Nightsea Crossing, Museum Fodor, Amsterdam (Netherlands), 1983.
Abramovic / Ulay, Wat Amsterdam betreft... / As far as Amsterdam goes..., Stedelijk Museum, Amsterdam (Netherlands), 1985.
Ulay / Marina Abramovic: Modus Vivendi: Works 1980-1985, Stedelijk van Abbemuseum, Eindhoven (Netherlands), 1986, pp. 9-14.
Abramovic / Ulay, The Lovers: The Great Wall Walk (traveling exhibition), Stedelijk Museum, Amsterdam (Netherlands), 1989.
MCEVILLEY T., Ulay: First Act, Ostfildern; Stuttgart (Germany), 1994.
Aspekte Niederländischer Kunst heute, Skulpturenmuseum Glaskasten, Marl (Germany) / Städtische Galerie, Lüdenscheid (Germany), 1996.
Ulay, Portraits 1970-1993 (artist book), Amsterdam (Netherlands), 1996.
Ulay-Berlin / Photogene, Yamaguchi Prefecutral Museum of Art, Yamaguchi (Japan), 1997.

Personal writings
ULAY, "Das ist eine 'Kriminelle' Berührung in der Kunst (zu sehen in ethischem Bezug, nicht strafrechtlich)", Plus Moins Zero, Revue d'Art contemporain, Vol. 5, No. 18, July / September 1977, pp. 29-36.
ABRAMOVIC / ULAY, "Art vital / permanent movement" (artist pages), Plus Moins Zero, Revue d'Art contemporain, Vol. 5, No. 21-22, June 1978, pp. 56-57.
ABRAMOVIC / ULAY, "Art vital" (artist pages), Dutch Art and ArchitectureToday, Amsterdam (Netherlands), No. 7, June 1980, pp. 27-32.
ABRAMOVIC / ULAY, "Art vital" (artist pages), Scenarios: scripts to perform, New York (United States), 1980.
ABRAMOVIC / ULAY, Relation Work and Detour, Nijmegen (Netherlands), 1980.
ABRAMOVIC / ULAY, "Everything is going to be allright , contribution on tape for 'Live to Air/Artists' sound work", Audio Arts Magazine, New York (United States), Vol. 5, No. 3 & 4, 1982.
ABRAMOVIC / ULAY, "Positive Zero: een geluidsopname", De Appel, Amsterdam (Netherlands), Vol. 1, No. 2, 1983, pp. 14-19.
ABRAMOVIC / ULAY, "Avalokiteshivara", Cantrills Filmnotes, Melbourne (Australia), No. 43-44, February 1984.
ABRAMOVIC / ULAY, "La Terre est petite et bleue. Je n'y suis qu'une mince crevasse", Art Press, Paris (France), No. 79, March 1984, p. 72.
ABRAMOVIC / ULAY, "Dreamtime 1980-1981", AEIUO, Vol. 5, No. 11, July 1984, pp. 4-13.
ULAY, The Lovers, The Great Wall Walk (traveling exhibition), Stedelijk Museum, Amsterdam (Netherlands), 1989, pp. 13-72.
ULAY, "The Wall, The Walk, The Alien", The Lovers, The Great Wall Walk (traveling exhibition), Stedelijk Museum, Amsterdam (Netherlands), 1989, pp. 13-72.
ULAY, MCEVILLEY T., MARTIN J.H., PARSY P.H., Ode à l'urne: 'vert laurier', Musée National d'Art Moderne, Centre Georges Pompidou, Paris (France), 1990, pp. 21-60, 93-116.

Articles in reviews and newspapers
"Documenta 6 Kassel", Museumsjournaal, Amsterdam (Netherlands), Vol. 22, No. 4, August 1977, p. 149.
"Nackt gegen die Wand: Performances von Marina Abramovic / Ulay", 100 Tage Aktuelles zu und über die Documenta 6, Kassel (Germany), 1977, p. 2.
"Ulay / Marina Abramovic - Marina Abramovic / Ulay", Stedelijk Museum Bulletin, Amsterdam (Netherlands), November 1977, p. 3.
"Ulay / Marina Abramovic: Performance DREI", Kunstnachrichten, Vol. 15, No. 6, November 1979, p. 164.
"Documenta 7: ein Rundgang", Kunstforum International, Wetzlar (Germany), Vol. 53-54, No. 7-8, September 1982, pp. 41-288.
BATTCOCK Gregory and NICKAS Robert, The Art of Performance: A Critical Anthology, New York (United States), 1984, pp. 130-131, 139, 255-256, 278, 291.
BAUDSON M., "La longue marche de Ulay & Abramovic", Artefactum, Antwerp (Belgium), Vol. 5, No. 26, November / January 1988, pp. 12-17.
BONITO-OLIVA Achille, "Quel pasticciaccio brutto della Giudecca?", Corriere della Sera, Milan (Italy), July 1976, p. 12.
BONITO-OLIVA Achille, "Questi giovani ripetano tante vecchie novità", Corriere della Sera, Milan (Italy), October 1977, p. 3.
BOS S., "Een hedendaags Gesamtkunstwerk", Museumsjournaal, Amsterdam (Netherlands), Vol. 28, No. 6, 1983, pp. 326-381.
BOWNESS A. and LACEY C., Art from Europe, The Tate Gallery, London (Great Britain), 1987, pp. 9-11, 18-22.
CARR C., "Monumental Road Show", The Village Voice, New York (United States), 18 April 1988.
CARR C., "Love, Art and Lonelyness on the Great Wall", The Village Voice, New York (United States), 14 February 1989.
CIHAKOVA-NOSHIRO V., "Body as a visual language", Maki Gallery, Tokyo (Japan), 1977.
DAOLIO R., "Marina Abramovic / Ulay - Ulay / Marina Abramovic", G7 Studio, No. 14, October 1977, pp. 6-10.
DE VRIES A., "Voorbij de nachtzee", Metropolis M, Utrecht (Netherlands), Vol. 6, No. 4, September / October, 1984, pp. 10-19.
DEBBAUT J., "Marina Abramovic & Ulay", Octobre des Arts 1986, Musée Saint Pierre, Lyon (France), 1986, pp. 6-9.
DELFGAAUW L., "Les investigations de Marina Abramovic et Ulay", Art Press, Paris (France), No. 134, March 1989, pp. 44-46.
DORFLES G., "Toccarei Prossimo", Corriere della Sera, Milan (Italy), August 1977, p. 3.
DURLAND Steven, "From Warriors and Saints to Lovers: Marina Abramovic and Ulay", High Performance, Los Angeles (United States), 34, Vol. 9, No. 2, 1986, pp. 50-55.
FLOOD R., "Marina Abramovic / Ulay: Documenta 7", Artforum, New York (United States), September 1982, p. 335.
GLUECK Grace, "The Artists' Artist", Artnews, New York (United States), November 1983, p. 90.
GOLDBERG Roselee, Performance Art from Futurism to the Present, London (Great Britain), 1987.
HERZOGENRATH Wulf, "Ulay und Marina Abramovic; Die 'Lebenden Bilder' ", Artefactum, Antwerp (Belgium), Vol. 3, No. 13, April / May 1986, pp. 8-13.
ILAYE N., "Ritualism and Renewal", Performance Art Magazine, New York (United States), 1989.
ILES C., "Taking a line for a walk", Performance Art Magazine, New York (United States), 1988.
JONGKIND S., "De Chinese muur als atelier: Ulay en Marina Abramovic", Metropolis M, Utrecht (Netherlands), Vol. 10. No. 2, pp. 10-15.
KANTOVA H., "Interview mit Marina Abramovic/Ulay - Ulay/Marina Abramovic, Flash Art, Milan (Italy), No. 80-81, March / April 1978.
KANTOVA H., "Flash Art Performance", Flash Art, Milan (Italy), No. 82-83, May / June 1978.
LISCHKA Gerhard Johann, "Performance and Performance Art", Kunstforum International, Wetzlar (Germany), Vol. 96, August / October, 1987, pp. 65-193.
LUBBERS F., "Door de nachtzee; verslag van een droom", Fodor, Amsterdam (Netherlands), Vol. 2, No. 10, May 1983, pp. 23-25.
MCEVILLEY T., "Ulay / Marina Abramovic", Artforum, New York (United States), Vol. 22, No. 1, September 1983, pp. 52-55.
MCGILL D.C., "The Art of Sitting Still", The New York Times, New York (United States), 21 February 1986.
MALSCH Friedemann, "The Fighters and Lovers", Kunstforum International, Wetzlar (Germany), March / April 1990.
MARTINS K., "Durch das Nachtmeer - Marina Abramovic / Ulay", Performance - eine andere Dimension, Künstlerhaus Bethanien, Berlin (Germany), 1983, pp. 15-19.
MATHONNET P., "Performance au Musée d'Art et d'Histoire-la quête à deux d'un équilibre instable", Journal de Genève, Geneva (Switzerland), No. 291, December 1977, p. 22.
MIGNOT D., "Video: An Art Form", The Second Link: Viewpoints on Video in the Eighties, Walter Phillips Gallery, Banff (Canada), 1983, pp. 25-27.
MIGNOT D., "Marina Abramovic / Ulay", The luminous image / Het lumineuze beeld, Stedelijk Museum , Amsterdam (Netherlands), 1984, pp. 92-95.
MURPHY B., "Gold found by the artists", Art in Australia, Vol. 19, No. 3, Autumn 1982.
PARR M., "Parallel Fictions", Art and Australia, Roseville (Australia), Vol. 17, No. 2, 1979, pp. 172-183.
PHIPPS J., "Marina Abramovic / Ulay, Ulay / Marina Abramovic, Art & Text, Sydney (Australia), No. 3, Spring 1981, pp. 43-50.
SCHNEEGASS C., "Ulay/Photogene / Nachbilder", Unpublished lectures, Akademie der Bildenden Künste, Berlin (Germany), March 1996.
SCHWARZ W., "Künstlerehen - Zwischen Tradition und Emanzipation", Kunstforum International, Wetzlar (Germany), Vol. 28, No. 4, 1978, pp. 193-199.
SCHWARZBAUER G.F., "Performances - 14 Interviews", Kunstforum International, Wetzlar (Germany), Vol. 24, No. 6, 1977, pp. 55-56, 68-71.
SCHWARZBAUER G.F., "Performance Festival Wien - Workshop Graz '78", Kunstforum International, Wetzlar (Germany), Vol. 27, No. 3, 1978, pp. 184-212.
SIMONS R., "Ulay & Marina Abramovic op de Chinese muur", Avenue, Vol. 24, No. 3, March 1989, pp. 72-78.
TRINI T., "Performances", Data, Milan (Italy), No. 22, September-October 1976.
ULAY, MCEVILLEY T., MARTIN J.H., PARSY P.H., Ode à l'urne: 'vert laurier', Musée National d'Art Moderne, Centre Georges Pompidou, Paris (France), 1990.
VAN DER HEEG E. and GMELIN F., "Identity through change", Material, No. 26, Summer 1995.
VAN GARREL B., "Body Art", Hollands Diep, Utrecht (Netherlands), No. 20, 1976, pp. 24-28.
VAN TUIJL G., "Alles overleven via de herinnering", Museumsjournaal, Amsterdam (Netherlands), Vol. 26, No. 2, pp. 64-67.
VON CANSTEIN C. and PFAFFE W., Portraits & Signaturen: 81 Künstler der Documenta 6, Kassel (Germany), 1977, p. 125.
VON GRAEVENITZ A., "Waarom een aangekondigd programma niet werd uitgezonden", Vrij Nederland, Amsterdam (Netherlands), No. 37, January 1976, pp. 25-26.
VON GRAEVENITZ A., "Performance in Holland", Studio International, Paris (France), September / October 1976, p. 204.
VON GRAEVENITZ A., "Marina Abramovic / Ulay - Les formes de l'énergie", Public, Grenoble (France), No. 3, 1984, pp. 52-58.
VON GRAEVENITZ A., "Lichtblauwe ogen", Museumsjournaal, Amsterdam (Netherlands), Vol. 29, No. 4, 1984, pp. 209-217.
WALLENSTEIN S.O., "Aktioner: Abramovic / Ulay", Kris, Stockholm (Sweden), No. 46-47, 1992.
WATERLOW N., "Third Biennale of Sydney: European Dialogue", Flash Art, Milan (Italy), No. 90-91, June / July 1979, pp. 16-17.
WINKLER W., "Eine Archä-graphie im Feld: Von Ulay's Werkkonflikt-Künstler Subjekt versus Kunst", Ulay-Berlin / Photogene, Yamaguchi Prefecutral Museum of Art, Yamaguchi (Japan), 1997.
ZAUGG R., "De Waarnemer", Museumsjournaal, Amsterdam (Netherlands), Vol. 30, No. 6, 1986, pp. 36-37.