Livres et catalogues (sélection)

22 International Ljubljana Biennal of Graphic Art, Ljubljana (Slovénie), Canlarjevdom-Cultural and Congress Centre, Modern Gallery et Tivoli Gallery, 1997.
29' - 0 / East, New York (Etats-Unis), New York Kunsthalle, 1997.
Concentrations 33, Doug Aitken, Dallas, Tex. (Etats-Unis), Diamond Sea, Dallas Museum of Art, 1999.
Crossing Boundaries 2000, Danish Film Institute, Copenhague (Denmark), 2000, p. 54.
film+arc.graz, Graz (Autriche), Third International Biennale, 1997.
EXTRAetORDINAIRE, Cahors (France), Le Printemps De Cahors (France), 1999.
Fresh Cream, Contemporary Art in Culture, Londres (Royaume-Uni), Phaidon, 2000, p. 58-63.
I Love New York, Crossover of Contemporary Art, Cologne (Allemagne), Museum Ludwig, 1998.
La Belle et la Bête =Beauty and the Beast, Paris (France), Musee d'art moderne de la Ville de Paris, 1995, p. 36-37, 114-115.
LifeSize, Prato (Italie), Centro per l'arte contemporanea Luigi Pecci, Museo d'arte contemporanea, 1994.
Okay Behaviour, New York (Etats-Unis), 303 Gallery, 1993.
The 1997 Whitney Biennial, Whitney Museum of American Art, New York (Etats-Unis), 1997.
The 2000 Biennial Exhibition, Whitney Museum of American Art, New York (Etats-Unis), 2000.
Video Cult-ures, 'Into the Sun', Karlsruhe (Allemagne), Museum for Contemporary Art, 1999.
Unfinished History, Mineapolis, Minn. (Etats-Unis), Walker Art Center, 1998.
BIRBAUM Daniel, SHARP Amanda, HEISER Jörg, Doug Aitken, Londres (Royaume-Uni), Phaidon, 2001.
BONAMI Francesco, Campo 6, The Spiral Village , Guarene d'Alba (Italie), Foundazione Sandretto Re Rebaudengo, 1996.
CURIGER Bice, Hypermental Rampant Reality 1950-2000 from Salvador Dali to Jeff Koons, Zurich (Suisse), Kunsthaus, 2001, p. 124, 141.
KONTOVA Helena, Audience 0.01, Trevi (Italie), Trevi Flash Art Museum, Contemporary Art Museum, 1994.
SANS Jérôme, One Minute Scenario, Cahors (France), Le Printemps de Cahors, 1997.
DECTOR Joshua, a / drift, New York (Etats-Unis), Center for Curatorial Studies Museum, Bard College, 1996.
SZEEMAN Harald, dAPERTutto, La Biennale di Venezia, 48a Esposiozione internazionale d'arte, Marsilio, Venise (Italie), 1999, p. 286-289.
YOKOBOSKY Matthew, Speed of Vision, On the Construction and Perception of Time in Video Art, Ridgefield, Conn. (Etats-Unis), Aldrich Contemporary Art Museum, 2000, p. 26.
VERGNE Philippe, Let's Entertain, Life's Guilty Pleasures, Minneapolis, Minn. (Etats-Unis), Walker Art Center, 2000, p. 210-211.

Articles et essais (sélection)

"Clues", Flash Art, mai 1999.
"Douk Aitken", Beaux-arts magazine, hors série, juin 2002, p. 68-71.
"Doug Aitken at 303", Flash Art, janvier-février 1999, p. 40.
"Douk Aitken", Le Millenium, n. 26, 1999.
"Doug Aitken", PIA, juin-juillet 1998.
"Doug Aitken", Attitude, septembre1998, p. 95.
"Doug Aitken", i-magazine, août 1998.
"Doug Aitken", Nikkei Art, août 1998.
"Doug Aitken", Gallery, juillet 1998, p. 31.
"Doug Aitken", Village Voice, avril 1997.
"Doug Aitken", Studio Voice ,vol. 8, n. 248, 1997, p. 38-40.
"Galleries—Chelsea", The New Yorker, 4 avril 1997.
"Moonlighting", The New Yorker, 3 octobre 1994, p. 26.
"Pleasures, Portland Art Museum", Artchitecture, août 2000, p. 63.
"Turbulence ; Blackout ; movement ; Breath In ; Weak Link ; Mirror", Blind Spot, n.16, 2000.
"Very New Art", Bijutsu Techo, n. 782, janvier 2000.
"Video et Photographie Scellent leurs Noces au Printemps de Cahors", Le Monde, 23 juin 1999.
AMADASI Giovanna [entretien], -cross, n. 2, 1999, p. 24-29.
ANTON Saul,"Doug Aitken, talks about electric earth", Artforum, mai 2000, p. 161.
ANTON Saul,"Doug Aitken's Moment", Tate, n. 19, hiver,1999, p. 54-58.
ANTON Saul, Artbyte, 6 août 1999, p. 108.
ANTON Saul,"A Thousand Words : Doug Aitken Talks about Electric Earth", Artforum, New York (Etats-Unis), 05.2000, p. 160-161.
ARNING Bill,"Down for the Kunst", Time Out New York, 1996.
ARNING Bill, Time Out New York, 7 janvier 1998, p. 54.
AKASAKA Hideo,"Mindscape", Asahi Camera, août1998.
ASPESI Natalia,"Festa Grande per Artisti Casalinghi", La Republica, 10 juin 1999.
BIRNBAUM Daniel,"I am in you", Artforum, New York (Etats-Unis), décembre 2000, p. 126.
BLAIR Dike,"Interview-Sound and Image, Self and Place", Purple Prose, n. 13, hiver 1998.
BOGAN Neill, Art Papers, 10 novembre 1992, p. 54.
BONAMI Francesco,"Liquid Tim", Parkett, n. 57, 2000, p. 29-32.
BONAMI Francesco,"Doug Aitken, Making Work Without Boundaries", Flash Art, mai-juin 1998, p. 80-82.
BONAMI Francesco, OBRIST Hans [éd.], Dreams, 1999.
CINCINELLI Saretto,"Pitti Immagine Discovery", Flash Art, juin-juillet 1999, p.118.
CORK Richard,"All Human Life is Missing", The London Times, 26 avril 1994.
DE ROOIJ Marie,"Beeldende Kunst", De Groene Amsterdammer, 2 juin 1999, p. 27.
DECTER Joshua, Artforum, décembre 1994, p. 48.
FEINSTEIN Roni,"Museum of Contemporary Art", Art in America, 2000, p. 44.
DELLINGER Jade,"ad./on/exchange, a Project", Zing Magazine, hiver-printemps, 1997.
FLEISS Eileen [éd.], Photo project for Purple Two, Winter, 1998, p. 382-389.
FOGLE Douglas,"No Man's Land", Frieze, n. 39, mars-avril 1998, p. 56-61.
FRISTENBERG Lauri,"Doug Aitken", Camera Austria, n. 74, 2001, p. 6-17.
GISBOURN Mark,"I Love New York, Crossover of Contemporary Art", Contemporary Visual Arts, n. 22, 1999, p. 77.
GRIFFIN Tim,"Doug Aitken : 303 Gallery", Artforum, décembre 2002.
HAYT Elizabeth,"Looking Ahead", New York Times, Sunday, 12 septembre 1999, p. 93.
HEISER Jorg, GELLATLY Andrew,"Just Add Water", Frieze, n. 48, septembre-octobre 1999, p. 66-71.
JOHNSON Ken, “Eager Globe-Trotters Shrink the Art World“, New York Times, 29 avril 2005.
JOHNSON Ken, „Art Review, West Side, The Armory Show on the Piers Just Keeps Growing“, New York Times, 23 février 2001.
JOHNSON Ken, „Art in Review“, New York Times, 8 janvier 1999.
JOTHADY Manish,"Reisen in den Inner Space", Frame, vol. 5, janvier-février 2001, p. 67-73
HALLE Howard,"2000 and None, The Whitney Blows the Franchise", Time Out, n. 237, 6-13 avril 2000, p. 72.
HALLE Howard,"Doug Aitken, 303 Gallery through Oct 26", Time out, 10-17 octobre 2002, n. 367.
HERBERT Martin,"Londonart", UK magazine, 22 octobre1999.
JOCKS Heinz-Norbert,"Ein Fernblick auf New York", Kunstforum International, janvier-février 1998, p. 312-312.
KASTNER Jeffrey,"Beyond Brief", Flash Art, été 1994, p. 61.
KEMPTON Jim,"Schrapnel", WARP Magazine, octobre 1992, p. 1.
KIHM Christophe,"Les gestes de Doug Aiten", Art Press, septembre 2002, p. 46-50.
KIMMELMAN Michael,"The Art of the Moment (And Only For The Moment)", New York Times, 1er août 1999, p. 34-35.
KRAUSS Nicole, Art in America, mars 1998, p. 112.
LEGGAT Graham,"All of These, None of These, The 1996 New York Video Festival", Parkett, n. 48, 1997, p.162.
LANE Tim, Transworld Skateboarding Magazine, février 1993, p. 50.
LILLINGTON David,"Monkey Business - Beyond Belief", Time Out, avril 1994.
LUBOW Arthur,"The Curse of the Whitney", New York Times Magazine, 11 avril 1999, p. 54-61.
LYER Pico,"Always Homeward Bound", photo contribution, Architecture, vol. 88, n. 12, 12.1999, p. 86.
MACEL Christine, Beaux-Arts , décembre, 1999, p. 78-81.
MADESTRAND Bo,"Unpacking the Fashion Pack, Doug Aitken and Peter Gehrke at Gallery Index, Stockholm", Material, n. 32, printemps, 1997.
MADOFF Steven Henry,"All's Fair", Artforum, septembre1999, p. 145-154, 184, 190.
McKENNA Kristine,"It Happens Every Two Years", Los Angels Times, 9 mars1997.
McKENNA Kristine,"Biennial Man", LA Weekly, 17-23 mars 2000.
MORRISSEY Simon, Untitked, 1998, p. 30.
MUIR Gregor,"Beyond Belief", World Art, juin 1994, p.109.
NEWHALL Edith,"Glimmer Fields", Talent, New York Magazine, 14 avril 1997, p. 148.
PAINI Dominique,"Le Retour du Fleur", Artpress, n. 255, mars 2000, p. 33
POKORNY Sydney, Frieze, novembre-décembre 1994, p. 61.
POKORNY Sydney, Artforum, été 1997.
RATTRAY Fiona,"Landscape Art", Blueprint, mars 1999, n. 159, p. 63
REES Christina,"Well- Cut Gem", Dallas Observer, 3-9 juin 1999, p. 62
ROBERTS James,"Omega Man", Parkett, n. 57, 2000, p. 22-23.
ROBINSON Walter,"Hi Mom, I'm in Venice", 1999, artnet.com
ROBINSON Walter,"303 Gallery", artnet.com, 22-28 septembre 2002.
ROMANO Gianni,"Secession", Flash Art, janvier-février 2001, p. 121-122.
RUHM Constanze,"Planet of the Scapes", Style and the Family Tunes, n. 30, avril-mai 2000, p. 34-39.
RUSH Michael,"New Media Rampant", Art in America, juillet 2000, p. 41.
RYAN Orla, Circa , n. 89, 1999, p.16-17.
RYZIK Melena, “Art, Film, Making a Public Spectacle”, New York Times, 16 janvier 2007.
SALTZ Jerry,"10 Artists for the 90s", Art & Auction, mai 1993, p.122-125.
SALTZ Jerry,"Doug Aitken at the AC Project Room", Art in America, avril 1994, p.28.
SALTZ Jerry,"Mayday, Mayday, Mayday", Art in America, septembre 1993, p. 45.
SALTZ Jerry,"New Channels", Village Voice, 12 janvier 1998, p. 113.
SAUSSET Damien,"Doug Aitken", L'œil, juin 2002, p. 28-29.
SCHMERLER Sarah,"Art in the Anchorage '96", Time Out, n. 46, 1996.
SCHMERLER Sarah,"Doug Aitken at 303 Gallery", Time Out, 17-24 avril 1997, p. 41.
SCHWARTZ Henry, Flash Art, mars-avril 1996, p.104.
SHAVE Stuart, [éd.]"Speed Addict", October, 1998, p. 131.
SMITH Roberta, “The Museum as Outdoor Movie Screen”, New York Times, 18 janvier 2007.
SMITH Roberta, “Art Review, Summertime at P.S. 1, Where Opposite Like Hands On-Hands Off Attract”, New York Times, 16 juillet 2004.
TALKINGTON Amy,"Diamonds in the Desert", Ray Gun, August, 1997.
VAN ASSCHE Christine,"Doug Aitken, the 'Stalker' of this Fin de Siècle", Parkett, n. 57, 1999, p. 54-58.
VERTROCQ Marcia,"The Venice Biennale, Reformed, Renewed, Redeemed, Art in America, septembre 1999, p. 82-93.
VERZOTTI Giorgio,"La Biennale dello Culture Emergenti", Tema Celeste Arte Contemtemporanea, septembre 1999, p. 52.
VOGEL Carol,"At Venice Biennale, Art Is Turning Into an Interactive Sport", New York Times, 14 juin 1999, E1, E6.
VOGEL Sabine B., Frankurter Allgemeine, 7 novembre 2000, p. 23.
VOGEL Sabine B.,"Die Welt in Zwischenraum", Kunst-Bulletin, avril 2001, p. 12-17.
WAKEFIELD Neville,"Let's Go to the Videotape", Art & Auction, 19 octobre 1998.
WEIL Benjamin,"Ouverture", Flash Art, mai-juin 1994, p. 104.
WEIZENBACH Michael,"One Print Is worth A Thousand Words", Washington Post, 7 novembre 1992, p. G2.
WOZNICKI Krystian,"California on the Mind's Road Map", Japan Time, 19 juillet1998, p. 13.