Bibliographie

General books and monographs (selection)

ALMHOFER Edith, Performance Art, die Kunst zu leben, Vienna (Austria) ; Cologne (Germany) ; Graz (Austria), H. Böhlaus, 1986 (Kulturstudien, Sonderband).
FISHER Jennifer [ed.], Technologies of intuition, Toronto, Ont. (Canada), Yyzbooks ; Winnipeg, Man. (Canada), Mentoring Artists for Women’s Art, 2006.
FREDERICKSON Kristen, WEBB Sarah E. [ed.], GARRARD Mary D., HOFRICHTER Frima Fox, SHERIFF Mary D., Singular women, writing the artist, Barckeley, Calif. (United States) ; Los Angeles, Calif. (United States) ; London (United Kingdom), University of California Press, 2003.
KAYE Nick, Art into theatre, performance interviews and documents, Amsterdam (Netherlands), Overseas Publishers Association, 1996 (Contemporary theatre studies ; 16).
KUBITZA Anette, Fluxus, Flirt, Feminismus ? Carolee Scheemanns Körperkunst und die Avantgarde, Berlin (Germany), Reimer, 2002.
LEE Pamela M., Chronophobia, on time in the art of the 1960s, Cambridge, Mass. (United States) ; London (United Kingdom), 2004.
MacPHERSON Bruce [ed.], More than Meat Joy, Carolee Schneemann, complete performance works & selected writings, New York (United States), Documentext, 1979.
RILEY Robert R., The projected image, San Francisco, Calif. (United States), Museum of Modern Art, 1991.
STILES Kristine [ed.], Correspondence Course, An Epistolary History of Carolee Schneemann and Her Circle, Durham, N.C. (United States), Duke University Press, 2010.
STILES Kristine, MURPHY Jay, RILEY Robert R., SCHNEEMANN Carolee [Interview] Imaging her erotics, Carolee Schneemann, essays, interviews, projects, Cambridge, Mass. (United States) ; London (United Kingdom), MIT Press, 2002.


Exhibition catalogues (selection)

BRANDEN Joseph W., KOTZ Liz, LEE Pamela M., … X-screen, film installations and actions in the 1960s and 1970s, Vienna (Austria), Museum Moderner Kunst Stiftung Ludwig, 2003.
CAMERON Dan, STILES Kristine, LEVI STRAUSS David, Carolee Schneemann, up to and including her limits, New York (United States), New Museum of Contemporary Art, 1996.
CASTLE Frederic Ted, Carolee Schneemann, 1, Early work 1960-1970, New York (United States), Max Hutchinson Gallery, 1982.


Articles and essays (selection)

CURIGER Bice, « 100 % polyester ou mots-clés pour une réinvention de la nature », », Fémininmasculin, le sexe de l'art, Paris (France), Editions du Centre Pompidou, 1995, p. 356-359.
KELLEY Jeff, « Les expériences américaines », Paris (France), Editions du Centre Pompidou, Hors limites, L'art et la vie, 1952-1994, 1994, p. 48-63.
PABST Angelica, « Dans les règles de l'art », Fémininmasculin, le sexe de l'art, Paris (France), Editions du Centre Pompidou, 1995, p. 353-355.


Web site

http://www.caroleeschneemann.com/