Scape Mates, 1972

1 Pouce NTSC + Betacam PAL, son, couleur


This work experiments with electronic material, probing its possibilities. Two dancers, Emery Hermans and Sarah Shelton, create futuristic choreography within a constantly evolving landscape in which disembodied creatures appear and disappear. Computers, video synthesizers, image colorizers, and electronic music contribute to the development of an original artwork that quickly surpasses the experimental phase to present us with a magical, random world in which the movement of the dance becomes detached from its surface, unfolding within an imaginary space.


St├ęphanie Moisdon
Translated by Anna Knight